Review: The Extraordinary Florence Stoker by Karen Brooks

* Copy courtesy of HQ Fiction *

The Extraordinary Florence Stoker by Karen Brooks is about the life of Florence Balcombe, the fiercely intelligent young woman who courted Oscar Wilde but went on to marry Bram Stoker, who famously penned the gothic horror novel Dracula. The novel takes place between 1876 - 1937, and while Dracula was published in 1897 and features heavily in the second half of Florence's life, you don't need to have read it in order to understand or appreciate her story.

Growing up in Dublin, Florence fell in love with the talented and flamboyant Irish writer Oscar Wilde however their relationship didn't last and ended after approximately two years. I thoroughly enjoyed their clever and quick-witted dialogue which continued when Florence met Bram Stoker.

"Well, in that you're wrong. There's nothing more fashionable than outrage - moral outrage especially. And Oscar excels at that - and not just in fiction." Page 319 

Florence is extremely well read and desperate to leave Ireland and Bram wants to be a writer so the two marry and follow their dreams to London. Brooks is able to bring Victorian era London to life so well I could almost hear the hustle and bustle of the city and see the smuts clinging to the curtains.

Going into this, I thought Bram Stoker was a lawyer and writer, but I didn't know he was also a critic and spent the majority of his career working as a theatre manager for famous actor Henry Irving.

Florence dislikes Irving from their first interaction and struggles to accept Bram's loyalty and dedication to the man in the face of his unceasing demands. The relationship between the two seemed to me to be one of devoted and adoring employee ensnared by a selfish and arrogant narcissist who gradually drains the life force from this brilliant man.

This serves as a constant strain on Florence's marriage and the writing was so effective I found my own temperature rising and teeth clenching. In fact, if I wasn't holding the book I think my hands would have been balled up in fists as I willed Bram to quit his post or at least exit Henry Irving's overbearing orbit.

This marital drama is offset by the kind of salons and events you and I can only dream of attending, with plenty of prominent names from the world of literature, music, theatre, art and politics.

"Time is described in a myriad of ways by poets, writers, artists, merchants and even ordinary folk. We're all at its mercy in one way or another. We have too little, or too much. We rush, we loiter; we spend it wisely or foolishly. Too often we neglect to consider its passing until, one day, something happens to draw attention to what we've squandered. Then, all the days, weeks, months and years that have been and gone concertina into a singular terrible moment where time stands completely still. This was that moment." Page 327

Readers hoping for an insight into the creation of classics like The Picture Of Dorian Gray by Oscar Wilde or Dracula by Bram Stoker will of course find it here, but you needn't have read either in order to enjoy Florence's role in them both. Oscar Wilde's court case features in Florence's story and I found myself judging her harshly for her lack of support during and following his trial and subsequent sentencing.

Bram only manages to write in scarce snatches of time and I enjoyed the insight into his childhood, learning he spent the first seven years of his life as an invalid. His interest in eerie folk tales - often told to him by his nurse and mammy - were evident and I can't help but wonder what else he would have written if he'd had more time. Florence lived to the age of 78 and we follow her life to the end, so we expect to read about Oscar Wilde's passing but I was disappointed that the death of her dear friend Ellen Terry only warranted the barest mention.

After Bram's death, the film adaptation Nosferatu in 1927 changed Florence's life. I had no idea about the protracted copyright battle over the film and I'll admit this drawn out legal fight became a little tedious to read about for me. Florence Stoker's determined battle for copyright was unwavering and her hard-won accomplishment is still felt today.

"Because of Florence Stoker, from this day forward, an author's copyright will be enshrined in every single deal that's made. Every contract will now include a clause protecting the creator's rights, whether it be for film, theatre, and maybe even for that new-fangled invention." Page 527

The Extraordinary Florence Stoker by Karen Brooks is expertly researched and Florence was an interesting and accomplished woman in her own right. She supported her husband despite their intimacy problems and sacrificed her health and reputation to ensure his life's work was protected.

Karen Brooks is also the Australian author behind The Good Wife of Bath set in the 1300s, which I thoroughly enjoyed reading last year. It takes great skill to write about the middle ages and the Victorian era with equal measure and I still have two of her other historical fiction novels - The Chocolate Maker's Wife (set in 1600s) and The Whisky Widow (set in 1700s) - on my TBR to enjoy.

The Extraordinary Florence Stoker by Karen Brooks will appeal to fans of historical fiction with an interest in the literary scene of Victorian era London.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Sleep First by Dr. Jemma King

* Copy courtesy of Wiley *

It's been 10 months since I last read a book on sleep, so when I received an offer to review Sleep First - Sleep Smarter, Think Sharper, Feel Better by Dr. Jemma King I was quick to accept. The book was off to an excellent start and I was very pleased to see the author quoting from historian Roger Ekirch within the opening pages and the fact that he uncovered hundreds of references to 'first sleep' and second sleep' in pre-industrial era documents.

"You've probably heard the compelling story about how humans 'naturally' sleep in two distinct chunks during the night. According to this theory, before the Industrial Revolution ruined everything with electric lights and rigid schedules, people would go to sleep soon after dark, wake up in the middle of the night for an hour or two of quiet activities (prayer, sex, contemplation, light chores), then drift back into a 'second sleep' until dawn. It's called biphasic sleep." Page 3

This is one of my favourite facts about sleep and it's one that isn't widely known. I wish more people knew about this natural phenomenon and that waking up at 3AM is entirely normal. Furthermore, acceptance of this ancient human biology will aid those feeling anxious about waking through the night, fearing they won't fall back to sleep and will feel tired as a consequence the following day.

I particularly enjoyed the chapter entitled 'Choosing the Fire: Special Forces and Elite Athletes' where the author outlines her experience working with the Australian Special Forces and the experiments she conducted during the Commando selection process.

Dr King provides a useful list of self talk and the harm it does and offers helpful alternatives you can try instead. Each one begins with a belief - like "I'm not tired yet" - and then encourages the reader to 'Try this instead' and explains 'Why it works'. This is effective, however the headings are around the wrong way. This proved confusing until I noticed the editing error and it's a shame because some of the suggestions are really great but their impact may be lost with the interrupted flow.

I haven't seen this in many of the books I've read before about sleep, but Dr King includes a chapter on sleep and technology, covering the pros and cons of wearable devices that can track sleep as well as other technology aids and devices that can aid in a good night's sleep. I was very interested in smart mattresses and rocking beds and plan to look into these a little more after writing this review.

My key takeaway after reading Sleep First - Sleep Smarter, Think Sharper, Feel Better by Dr. Jemma King is a consistent wake time. The time I go to bed and read is very consistent, but my wake time used to vary widely. Before reading this book I'd already started to trial a more consistent wake up / get up time regardless of the level of activity or pain experienced the day before. The author does an excellent job of explaining the importance and benefits of doing so and here's just one reason:

"Researchers have calculated that if everyone just adopted a sleep routine covering the same 7 hours each night, population-wide mental disorder rates could drop by 23 per cent through the simple low-cost act of going to bed and waking up at consistent times." Page 91

Sleep First - Sleep Smarter, Think Sharper, Feel Better by Dr. Jemma King is recommended for anyone wanting to improve their sleep quality. If you struggle to get to sleep or stay asleep, suffer from chronic tiredness or insomnia or you're just interested in learning more about sleep and maximising your quality of sleep - sleepmaxxing, it's a thing - then there's plenty to learn here. You can even read the first chapter for free. Oh, and did I mention she's Australian?

Sleep well tonight!

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Rite of Spring by Kris Kneen

* Copy courtesy of Transit Lounge *

Miranda and Richard answer an advertisement in a nature magazine and agree to stay on an island off the coast of Tasmania for a period of six months. They'll be taking over from the previous caretakers but otherwise they'll be on their own in the remote wilderness the entire time. Taking all of their own supplies, the couple will be responsible for looking after the automated lighthouse and recording regular weather observations.

Miranda is recovering from a near death experience and the couple is reeling from Richard's infidelity. The environment is hostile, with winds so fierce that animals blow off the cliffs and down onto the rocks below. Yet somehow Miranda and Richard believe the seclusion, shared experience and time together will offer them the chance to heal their marriage. Yeah right! Obviously things were going to go wrong but I could never have guessed how.

Miranda is a Marine Biologist with a love of the ocean and spreadsheets.

"Keeping spreadsheets was not enough to distract her. She had revelled in the sorting and labelling of their produce, bought sticky labels for the bags, noting the date of drying, the variety of apple or pear or orange. She listed the total weight on each bag. When she had sealed one she lined it up next to all the others. The various colours and shapes were pleasing. This task appealed to something in her nature, perhaps the same thing that had drawn her to a career in marine biology." Page 21

The beginning of the book was easily my favourite part. Their arrival at the island demonstrates just how remote and cut off from the rest of the world they are, and the list of maintenance items was enormous. The weather takes a toll on every fixture and fitting and they're both energised by the physical challenges ahead. I especially enjoyed Miranda's planning for their trip.

"Her skills were easily transferrable to the planning for the island. She had measured out each meal - breakfast, lunch and snacks - planning them six months in advance, adding a few extra weeks of food in case the weather turned and stranded them on the island for longer than expected." Page 15

Getting set up and unpacking their supplies as the wind was howling outside my own bedroom window made me wish I could watch all of this unfolding on the big screen. Their optimism burst from the page and I was quick to share it. However, it soon becomes apparent Miranda is going through a lot more than first realised; she's physically recovering from a nasty accident, going through menopause and was already a person in flux.

It would be a spoiler to mention how things shift, but I can tell you there's a lot of sex in the book. If you're uncomfortable reading graphic sex scenes - and I'm not - then this is not for you. Having said that, the narrative goes further than just lots of sex and I think I'd call it dark erotica bordering on erotic horror.

There's quite a lot of poetry included in the book but much of it felt personal to the author and I had trouble connecting it to the narrative. There's also a heavy emphasis on Miranda feeling a lack of belonging her entire life and being different from everyone else that I couldn't relate to. It made me wonder if perhaps this was more of the author bleeding through into the character on the page.

And what's with the cover? I love the cover design, it's suggestive, erotic and intriguing but having read the book I can't see the relevance whatsoever. While the conditions are frigid, Miranda does take her clothes off on quite a few occasions however this isn't her body type. The reader is frequently reminded that Miranda is overweight:

"Miranda's body held its own in his company. She was corporeal. Short but fat, sturdy. She weighed more than he did, even though he was easily a head and shoulders taller than her." Page 175

After that one description - and there's plenty more - it's clear the woman on the cover is not Miranda. I also have no idea what the significance of the blackberries and blackberry juice smeared on her abdomen is all about. Perhaps it's suggestive or evocative of blood and something to do with menstruation but the torso of the woman doesn't look menopausal. It's a great cover, I just didn't understand the relevance.

The author mentioned in a recent interview that the idea for the book came after their friend sent them an ad just like this, thinking Kris might consider it a writing retreat of sorts. The position didn't appeal but they took the idea and ran with it and I hope the friend passes on more ads in the future.

I originally wondered if the title of The Rite of Spring was a reference to the piece of music by Stravinsky, but in the same interview I referenced earlier, I learned there are going to be four books with themes of queerness, gender, science, nature and the supernatural; one for each season.

The ending of the book reaches an exciting climax (pun intended) although I was left with unanswered questions in the denouement about the supernatural element. The Rite of Spring by Kris Kneen is dark erotic Australian fiction and will appeal to literary readers open to self discovery, sex and the supernatural.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Devil Mountain by Inessa Jackson

* Copy courtesy of Simon & Schuster *

Devil Mountain is a debut novel by Inessa Jackson and the author has certainly made an arresting entrance into the somewhat crowded scene of Australian crime fiction.

Based in Sydney, Detective Sergeant Anastasia Brown is reeling from an unjust workplace suspension when she's sent to Stony Creek - a small town in NSW - to investigate the murder of a local GP. Pairing up with local Detective Harry Frost, Ana gets a quick run down of the unusual crime scene and seeks to find out more about the victim and why someone would want to kill him.

This police procedural moves quickly and several motives are swiftly identified. I loved this phrase summing up the motives for murder and haven't heard or seen it before:

"It met the criteria for one of the most common motivations for murder: love, lust, loot and loathing." Page 38

The mountain of the title overlooks Stony Creek and forms part of the Stony Creek State Forest where lights have been seen and the vengeful spirit of a wronged woman is said to haunt the mountain for eternity. Yikes!

DS Ana Brown is an easy protagonist to cheer for as she tackles misogyny in the workplace, peels back layers of lies in the small town to reveal adultery and addiction, investigates a Wiccan coven and plunges headlong into the forest despite the reported hauntings.

Detective Harry Frost was a highlight and my favourite character and I'd love to see Ana and Harry working together again in the future if this becomes a series.

Devil Mountain by Inessa Jackson is an enjoyable Aussie noir crime novel although I wish the supernatural element was more prominent.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Five by Ilona Bannister

* Copy courtesy of Harlequin Australia & Harper Collins *

I love a book with an enticing premise, and Five by Ilona Bannister has just that. Five commuters are waiting on a train platform and in five minutes the next train to London is going to arrive and one of them is going to die. The unnamed narrator takes us away from the present so we can get to know the back stories of each of the five characters and how they came to be standing at the train platform that morning.

We're introduced to mother Emma and her out of control child Gideon, Sonny, a young man who has gambled his life away, a cranky older woman named Mrs Worth who's refusing help even though she's having a medical episode and a successful looking businessman named Liam.

"There are many other mundane but poignant details we could explore in the lives of these ordinary commuters, but we have time constraints. Let's just say that you've seen them before, on some other train platform in some other suburb, weighed down by bags and coats and unmet goals and unrealised dreams." Page 20*

As you can see, the narrator breaks the fourth wall to address the reader directly and I came to see the narrator as the author herself, occasionally breaking into the story to communicate directly with me.

I love people watching and always wonder about the lives of those passing me by; or am I passing them by? Other characters on the platform are given nicknames like Bad Back and To Do List, and while on the periphery of this story, we're also given insight as to their behaviours and choices on the train platform.

Fans of Benjamin Stevenson will love the author's sense of humour and the way in which she foreshadows precisely what will happen, leaving the reader to reach the destination on their own. The thrilling nature of the plot is supported by surprisingly deep character development and the back stories of these five flawed characters really made me sit up and take notice.

This next quote is from a scene where Liam - one of the five main characters - is sitting with his brother and mother watching TV. It's an excellent example of the author's writing style and such a relatable family moment. That moment suddenly becomes shockingly poignant and I found it very moving.

"She sips her sweet, sweet tea and thinks to herself for the thousandth time in twenty years that she really should launder those curtains, and regrets that now she won't have the chance, as a thunderclap no one else can hear explodes inside her head. The pain is immense, but she sees her Liam, so big and muscular and broad and handsome pointing at the screen and making his brother laugh. As the feeling drains from her left side, Doreen regrets that she never had the money to fix the gap between his teeth that she knows secretly bothers him, but that she has always loved. The last thing she sees before her vision is lost and another blood vessel explodes in her brain is her Danny, smiling with the box of biscuits in his lap. As her breath stops, Doreen can still hear his hoarse, gasping laugh as Liam says something rude about the lady on stage impersonating Barbra Streisand. Lads, she thinks, her lads, and the word feels like a smile. And as the mug of tea drops from her hand and her soul leaves the room, she regrets nothing at all." Page 211*

At the end of the book, the death is revealed and the narrator addresses the reader about their feelings on who survived, who died and whether there was any disappointment about the outcome. I certainly had my preference for who was going to survive and who wasn't but this fourth wall questioning was so engaging I felt sad it was all over. I also enjoyed reading about the aftermath for some of the characters and immediately wished Bannister was in a book club to discuss it all.

Five stars for Five by Ilona Bannister, very highly recommended! (Why don't you take five minutes to read a sample, you won't regret it).

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

* I read an ARC so page numbers may vary.

Review: Postscript - Life, Love and Loss in Australian Letters

* Copy courtesy of National Library of Australia Publishing *

Intro

Postscript - Life, Love and Loss in Australian Letters contains a small collection of letters from the archives held by the National Library of Australia and is just a tiny sample of the millions of letters in their extensive collection.

A variety of letters have been chosen covering a breadth of topics and were given to contemporary writers who were asked to use them as an inspiration to respond. They each did so by writing their own letter to a recipient of their choice and these were then grouped together in chapters.

In a tribute to the book I've decided to write my review in the form of a letter.

Letter to NLA

Dear National Library of Australia,

I haven't visited any of your four sites, yet I greatly admire the important work you do to preserve Australia's culture and history. I've long been a lover of letters and snail mail since I wrote in to Dolly Magazine as a teenager asking for a pen pal. I enjoyed reading your latest publication Postscript - Life, Love and Loss in Australian Letters and wanted to share my thoughts.

My favourite letter in this collection was the one from 17 year old student John Ian Wing to the Chairman of the Games Committee in charge of the 1956 Melbourne Summer Olympics. In his letter, John praises the friendliness of Melbourne people and suggests a march during the closing ceremony that is completely different to the one that took place during the opening ceremony. He proposes the athletes march as one nation, walking freely and waving to the public. In that way, John observes that 'war, politics and nationality will be all forgotten' and the whole world could be made as one nation creating 'a great occasion for everybody and no one would forget it'.

The Chairman loved the idea and John's suggestion was immediately adopted, creating a new Olympic tradition that we continue to enjoy today. I especially loved John's endearing diagram of how it could work.

Shelley Ware is an author, media presenter, educator and Mum and she was paired with this letter, choosing to write a letter to her son. In it she draws on John's vision for unity in a divided time to her son's moral compass and search for truth beyond the headlines expressed in his artwork. This was a terrific pairing and I really enjoyed it.

Another stand out was the letter from Sir John Monash in 1906 to his 13 year old daughter, narrating almost every aspect of her upcoming journey by train and then boat from Spencer Street Station (now Southern Cross Station) to the property of Canally on the Murray River.

Today you might consider his approach evidence of overparenting, but it's clear he loves her dearly and I couldn't help smiling at his advice for when she boards the boat on the Murray River:

"On settling down on the boat, I should advise you to to go bed at once, because you will, no doubt, be very tired, and the scenery is not very interesting for the first few miles. So you had better go to bed comfortably before the boat starts and do not stop up yarning, but get to sleep and tell the Stewardess to wake you quite early - say 7 a.m. - so that you can enjoy the beautiful river scenery for an hour or two before reaching Windomal." Page 26

His letter runs for pages and it made me wonder how many times he'd taken that trip but I didn't see the relevance of the two letters that followed by the late Judith Wright. While detailing the birth of her child Meredith and her subsequent recovery in hospital, I wasn't entirely sure how that related to a parent separated from their child or preparing a child for a life changing journey. However the letter from Maggie Mackellar to her adult daughter certainly embraced the spirit of the letter from Monash in her well expressed anxiety around her daughter travelling far away and the memories of her childhood the absence created.

It must have been difficult for your staff to create a longlist of letters for this project from your extensive archives. Where to start? How long did it take? I've heard from reliable sources that your staff chose letters of interest based on the identity of the sender or the recipient, the story or the writing itself. Then a generous list of potential respondents was collated, drawn from those with an existing relationship to the library, visiting writers or those who might have an interesting angle on a response.

I was pleased to see one of my favourite Australian authors included, Kate Forsyth and enjoyed her response to Jane Austen's letter. I wonder, was she able to view the original in person or online? I bet she would have been thrilled to see it.

I had fun devising my own shortlist of modern authors I'd love to see in a letter writing project like this and the fact that Postscript comes in at <130 pages, surely means there was room for more? Perhaps some of the invitees were overwhelmed by the magnitude of the brief and suffered a touch of analysis paralysis. I did find myself wishing for contributions from more well known Australian authors, as you know, we certainly have a plethora of Australian talent in that regard. Or, I fancy you might be considering a second edition, although you'll have to come up with a better title than Post Postscript; I don't think that'll catch on.

Let me know if you want to see my shortlist of modern respondents, but in the meantime, congrats on an engaging collection.

Yours Affectionately,

Carpe Librum!

My Rating:

★ ★ ★ ★ ★

Review: The Woman in the Seal Skin by Lauren Keegan

* Copy courtesy of Simon & Schuster *

Orkney is made up of approximately 70 islands and is located off the north coast of Scotland. It's an isolated part of the world and with an average yearly temperature of 8 degrees celsius I can only imagine how inhospitable it must have been in the 17th century. The Woman in the Seal Skin by Lauren Keegan is set in Orkney in 1695 and is a dual narrative told by our main character Malie and her friend Henrye.

Malie's father is a fisherman and after her mother slipped into the sea and was never seen again, he raised Malie and her brothers alone. Brought up listening to tales of selkies, Malie has always been told her mother was a shape-shifting woman who shed her seal skin to seduce her father.

"Selkies slip from their seal skins and seduce lonely fishermen, but a Finnman takes the form of man and seduces lonely wives. Men, women and the sea, all at their mercy." Page 46

Living on the coast, Malie has an affinity with the sea and now that she's married and expecting her first child, she finds it difficult to resist the pull of the water. With little to no female agency in a male dominated family, Malie is also in an oppressive marriage with few real friends to confide in or lean on.

"My elder brothers circle us like a shiver of sharks." Page 295

The weather is harsh, the living conditions are rough and Malie's life feels stifled and unendurable at times. In fact the harsh environment and desperate conditions reminded me of The Mercies by Kiran Millwood Hargrave, set in Norway in 1617.

I read this atmospheric book while on a cruise and being on the ocean certainly enhanced my reading experience. Admittedly, the temperature was warm and humid and I wasn't suffering any of the deprivations Malie was facing on a daily basis, but the author was still able to make me feel cold, hungry and fearful just the same.

"While there was once only fear bubbling beneath my skin, there is something else rising to the surface. Something fierce and uncontrollable. Something wild. Something that simmered in my mother's body too. I believe it's rage." Page 150

The Woman in the Seal Skin by Australian author Lauren Keegan is an historical fiction novel set in Scotland about nature, folklore, motherhood, loss, resilience and domestic violence and will appeal to fans of Hannah Kent and Kiran Millwood Hargrave.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: A Far-Flung Life by M.L Stedman

* Copy courtesy of Penguin Random House *

A Far-Flung Life by M.L Stedman is going to be in My Top 5 Books of 2026 list, without a doubt. I finished it last month and I still have a long reading year ahead of me but this Australian historical fiction novel blew me away.

Stedman begins this family saga with the history of the MacBride family who took up country in Western Australia (WA) in the 1800s and established Meredith Downs; an outback sheep station. We join the current MacBride family in 1958 and the author provides an excellent overview of the brutal and unforgiving landscape, describing the fierce nature of the heat, the sun, the wind and the rain and their power to both nurture and destroy.

"Everything that can do you good can also do you harm here - that's just the way of it." Page 7*

The MacBrides have worked the land for generations and family is everything, so when an unexpected tragedy takes place - mentioned in the blurb - the trajectory of their lives takes a dramatic turn. A Far-Flung Life is a generational family saga about life, love, purpose and family that also carries more than its fair share of secrets, heartbreak and loss.

Somehow the beauty of the landscape, the ever present demands of Meredith Downs and the resilience of the characters prevent the narrative from becoming too bleak or dispiriting. By contrast, I felt hopeful, optimistic and energised by the steadfast and inspiring characters doing their best to move forward.

As a kid, my family lived in outback New South Wales for 2 years and we had friends who owned vast sheep stations so I read about the diaries and ledgers of Meredith Downs with great interest.

"There are the ledgers; the wool returns; the vermin records; the Field Book of Meteorological Observations for the Bureau of Meteorology in Melbourne; the cricket score books; and the little greasy shearing tally books stained with lanolin from pulling them in and out of a shirt pocket as you count the wool clip run by run, shed by shed, day by day." Page 49

Diaries are kept of every day events including sheep bought or sold, new motor vehicles, paddock rotations, staff changes and more to enable the station to provide information to the tax man, Lands Department or Undersecretary for Lands in the case of drought relief.

In addition to being character-driven, the novel seems to be a deep reflection on the inevitable passage of time and its impact on the landscape and the people who inhabit it.

"On any old outback property, you can see them, the skeletons of dreams. Houses long abandoned, windmills rusting, fence posts splintered, tank stands collapsed: every one of them was once a hopeful beginning." Page 64

The ready understanding that many generations have been before us and we will soon join them in history is something I love about Ken Follett's novels. He also writes about the passage of time and the evolution of families from generation to generation and it was brilliant to read such an accomplished Australian point of view of our colonial history.

"Every wreck, every ruin is the vestige of a dream, lasting long after the body of its dreamer has been received back into the earth with love or remorse or indifference." Page 64-65

A Far-Flung Life is being promoted by the publisher as 'the biggest Australian novel of the year' and I wholeheartedly agree. I was moved by the characters and their individual plight, and felt a genuine connection to Meredith Downs despite being a proud city dweller and reading this at sea while on a cruise.

In 2012, I read and reviewed The Light Between Oceans by M.L. Stedman and gave it a glowing 5 star review. In an interview with Good Reading recently, I was impressed to read about the detailed level of research Stedman has been conducting since then in order to write A Far-Flung Life and it's definitely been worth the wait. Stedman now has two stellar Australian novels under her belt and I'm sure this is going to be another huge bestseller.

Highly recommended and you can read an EXTRACT here.

* I read an ARC so the page numbers quoted may vary in the final copy.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: The Cross Thieves by Alan Fyfe

* Copy courtesy of Transit Lounge *

The Cross Thieves by Alan Fyfe is the story of two brothers living below the poverty line in a coastal town in Western Australia (WA). It's a short and punchy novel that takes place over the course of one night and I'll admit the structure took a little getting used to.

It's a third-person narrative that regularly dips into the character's internal perspective but is largely written in past tense with some past continuous tense. In addition, there are also letters back and forth from two female characters, one of whom is the mother of our two protagonists.

A narrator addresses the reader directly and offers to 'tell you the whole thing if you've got the right heart to hear it' but their identity and connection to the story or the characters as they pop in from time to time is unclear.

Here's an example where I love the first line, but the rest is confusing.

"You and I are together inside a comfortable room the height, width, and depth of a page. I can try to manipulate you into having the heart I want you to have by telling you that kind of heart is the right kind. But you get to pick what you believe and what you value. You're alone with that choice as much as I'm alone when I decide what to tell you about these skinny boys.
As much as Gark and Pell were alone with their choices about what they valued, what ending they picked to aim at, and what to do with that ridiculous cross." Page 100

Is the narrator telling me I can think and decide for myself? Don't I already do that? And isn't that true for all stories? I often found myself wondering if the story needed this narrator at all.

The inclusion of 80s pop and mysteries of philately that piqued my interest in the blurb are brief - at less than 200 pages it is a short book after all - while Joshua's fascination with the religious meaning in We Built This City by Starship reminded me a little of Patrick Bateman's obsession with music in American Psycho.

The writing also reminded me many times of Tim Winton in terms of the male protagonists living below the poverty line, struggling with their underdog status in the world and living hand to mouth. More than that though, the dialogue and setting in a coastal town in WA in addition to themes of drugs, crime and religion was definitely Wintonesque in my opinion.

Back to the book and the novel has a satisfactory conclusion but the narrator never jumps back in to finalise the story, provide perspective or guide our thoughts about any of the events.

My critique of the story over, I always read the author's Acknowledgements section and there were several issues in this one that affected my overall enjoyment of the book and I'll attempt to outline them here.

The relationship between the brothers was moving and their desperate and ongoing hunger and lack of food or adequate shelter made me feel quite uncomfortable while reading; a testament to the skill of the author. In the Acknowledgements, Fyfe tells us that The Cross Thieves started as an 'impulse to write a neo-epic about people suffering food insecurity' which made perfect sense although there was no resolution or call to action about the issue in the novel, it just 'was'.

Fyfe mentions that the Foodbank's Hunger Report noted that 15% of Australians were experiencing food insecurity in 2018 but a quick Google tells me the figure is now 20% according to the 2025 report. Giving us data that is 8 years old when recent data is more compelling was a lost opportunity.

It's a minor oversight, but the author goes on to claim these problems are easily within reach of solution and that the houseless could be provided with shelter, the hungry fed and the welfare rate increased for a fraction of the price of nuclear submarines. As a Veteran of the ADF, this certainly ruffled my patriotic feathers but acknowledge this is the view of many Australians. While I don't agree with the author's politics, I understand his desire to use this platform to spread his message. Pity there wasn't any advice or resources for those readers motivated to take action other than talk about it on social media, email politicians and take to the streets in protest.

Finally, the author also mentions the following in the Acknowledgements:

"The Cross Thieves is written in a little known (and very old) structure called ring composition. It's not very important that you know what that is, just that it's bloody hard to do." Page 199

Despite a BA in Literature, I readily admit I hadn't heard of ring composition before and even after attempting to educate myself on the basics, I wasn't able to recognise elements of this in the novel. It felt condescending for the author to state that it wasn't 'very important' for the reader to know what it is. In my opinion, it's not important at all! It wasn't relevant to the plot and surely it's enough for those readers who do recognise the achievement to do so as part of their overall appreciation of the book. It seemed to me the author was saying 'even if you have no idea what this is, you should be impressed by my writing ability.'

Perhaps if the author had set aside the difficult task of writing in ring composition and spent more time clarifying the role of the narrator I'd have enjoyed the story of Pell and Gark a lot more. They were certainly compelling characters.

All of the above led me to draw the conclusion that The Cross Thieves by Alan Fyfe is best enjoyed by frequent readers of literary fiction able to recognise the achievements of little known writing structures who also appreciate a healthy dose of politics with their fiction.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!