Review: The Extraordinary Florence Stoker by Karen Brooks

* Copy courtesy of HQ Fiction *

The Extraordinary Florence Stoker by Karen Brooks is about the life of Florence Balcombe, the fiercely intelligent young woman who courted Oscar Wilde but went on to marry Bram Stoker, who famously penned the gothic horror novel Dracula. The novel takes place between 1876 - 1937, and while Dracula was published in 1897 and features heavily in the second half of Florence's life, you don't need to have read it in order to understand or appreciate her story.

Growing up in Dublin, Florence fell in love with the talented and flamboyant Irish writer Oscar Wilde however their relationship didn't last and ended after approximately two years. I thoroughly enjoyed their clever and quick-witted dialogue which continued when Florence met Bram Stoker.

"Well, in that you're wrong. There's nothing more fashionable than outrage - moral outrage especially. And Oscar excels at that - and not just in fiction." Page 319 

Florence is extremely well read and desperate to leave Ireland and Bram wants to be a writer so the two marry and follow their dreams to London. Brooks is able to bring Victorian era London to life so well I could almost hear the hustle and bustle of the city and see the smuts clinging to the curtains.

Going into this, I thought Bram Stoker was a lawyer and writer, but I didn't know he was also a critic and spent the majority of his career working as a theatre manager for famous actor Henry Irving.

Florence dislikes Irving from their first interaction and struggles to accept Bram's loyalty and dedication to the man in the face of his unceasing demands. The relationship between the two seemed to me to be one of devoted and adoring employee ensnared by a selfish and arrogant narcissist who gradually drains the life force from this brilliant man.

This serves as a constant strain on Florence's marriage and the writing was so effective I found my own temperature rising and teeth clenching. In fact, if I wasn't holding the book I think my hands would have been balled up in fists as I willed Bram to quit his post or at least exit Henry Irving's overbearing orbit.

This marital drama is offset by the kind of salons and events you and I can only dream of attending, with plenty of prominent names from the world of literature, music, theatre, art and politics.

"Time is described in a myriad of ways by poets, writers, artists, merchants and even ordinary folk. We're all at its mercy in one way or another. We have too little, or too much. We rush, we loiter; we spend it wisely or foolishly. Too often we neglect to consider its passing until, one day, something happens to draw attention to what we've squandered. Then, all the days, weeks, months and years that have been and gone concertina into a singular terrible moment where time stands completely still. This was that moment." Page 327

Readers hoping for an insight into the creation of classics like The Picture Of Dorian Gray by Oscar Wilde or Dracula by Bram Stoker will of course find it here, but you needn't have read either in order to enjoy Florence's role in them both. Oscar Wilde's court case features in Florence's story and I found myself judging her harshly for her lack of support during and following his trial and subsequent sentencing.

Bram only manages to write in scarce snatches of time and I enjoyed the insight into his childhood, learning he spent the first seven years of his life as an invalid. His interest in eerie folk tales - often told to him by his nurse and mammy - were evident and I can't help but wonder what else he would have written if he'd had more time. Florence lived to the age of 78 and we follow her life to the end, so we expect to read about Oscar Wilde's passing but I was disappointed that the death of her dear friend Ellen Terry only warranted the barest mention.

After Bram's death, the film adaptation Nosferatu in 1927 changed Florence's life. I had no idea about the protracted copyright battle over the film and I'll admit this drawn out legal fight became a little tedious to read about for me. Florence Stoker's determined battle for copyright was unwavering and her hard-won accomplishment is still felt today.

"Because of Florence Stoker, from this day forward, an author's copyright will be enshrined in every single deal that's made. Every contract will now include a clause protecting the creator's rights, whether it be for film, theatre, and maybe even for that new-fangled invention." Page 527

The Extraordinary Florence Stoker by Karen Brooks is expertly researched and Florence was an interesting and accomplished woman in her own right. She supported her husband despite their intimacy problems and sacrificed her health and reputation to ensure his life's work was protected.

Karen Brooks is also the Australian author behind The Good Wife of Bath set in the 1300s, which I thoroughly enjoyed reading last year. It takes great skill to write about the middle ages and the Victorian era with equal measure and I still have two of her other historical fiction novels - The Chocolate Maker's Wife (set in 1600s) and The Whisky Widow (set in 1700s) - on my TBR to enjoy.

The Extraordinary Florence Stoker by Karen Brooks will appeal to fans of historical fiction with an interest in the literary scene of Victorian era London.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Rite of Spring by Kris Kneen

* Copy courtesy of Transit Lounge *

Miranda and Richard answer an advertisement in a nature magazine and agree to stay on an island off the coast of Tasmania for a period of six months. They'll be taking over from the previous caretakers but otherwise they'll be on their own in the remote wilderness the entire time. Taking all of their own supplies, the couple will be responsible for looking after the automated lighthouse and recording regular weather observations.

Miranda is recovering from a near death experience and the couple is reeling from Richard's infidelity. The environment is hostile, with winds so fierce that animals blow off the cliffs and down onto the rocks below. Yet somehow Miranda and Richard believe the seclusion, shared experience and time together will offer them the chance to heal their marriage. Yeah right! Obviously things were going to go wrong but I could never have guessed how.

Miranda is a Marine Biologist with a love of the ocean and spreadsheets.

"Keeping spreadsheets was not enough to distract her. She had revelled in the sorting and labelling of their produce, bought sticky labels for the bags, noting the date of drying, the variety of apple or pear or orange. She listed the total weight on each bag. When she had sealed one she lined it up next to all the others. The various colours and shapes were pleasing. This task appealed to something in her nature, perhaps the same thing that had drawn her to a career in marine biology." Page 21

The beginning of the book was easily my favourite part. Their arrival at the island demonstrates just how remote and cut off from the rest of the world they are, and the list of maintenance items was enormous. The weather takes a toll on every fixture and fitting and they're both energised by the physical challenges ahead. I especially enjoyed Miranda's planning for their trip.

"Her skills were easily transferrable to the planning for the island. She had measured out each meal - breakfast, lunch and snacks - planning them six months in advance, adding a few extra weeks of food in case the weather turned and stranded them on the island for longer than expected." Page 15

Getting set up and unpacking their supplies as the wind was howling outside my own bedroom window made me wish I could watch all of this unfolding on the big screen. Their optimism burst from the page and I was quick to share it. However, it soon becomes apparent Miranda is going through a lot more than first realised; she's physically recovering from a nasty accident, going through menopause and was already a person in flux.

It would be a spoiler to mention how things shift, but I can tell you there's a lot of sex in the book. If you're uncomfortable reading graphic sex scenes - and I'm not - then this is not for you. Having said that, the narrative goes further than just lots of sex and I think I'd call it dark erotica bordering on erotic horror.

There's quite a lot of poetry included in the book but much of it felt personal to the author and I had trouble connecting it to the narrative. There's also a heavy emphasis on Miranda feeling a lack of belonging her entire life and being different from everyone else that I couldn't relate to. It made me wonder if perhaps this was more of the author bleeding through into the character on the page.

And what's with the cover? I love the cover design, it's suggestive, erotic and intriguing but having read the book I can't see the relevance whatsoever. While the conditions are frigid, Miranda does take her clothes off on quite a few occasions however this isn't her body type. The reader is frequently reminded that Miranda is overweight:

"Miranda's body held its own in his company. She was corporeal. Short but fat, sturdy. She weighed more than he did, even though he was easily a head and shoulders taller than her." Page 175

After that one description - and there's plenty more - it's clear the woman on the cover is not Miranda. I also have no idea what the significance of the blackberries and blackberry juice smeared on her abdomen is all about. Perhaps it's suggestive or evocative of blood and something to do with menstruation but the torso of the woman doesn't look menopausal. It's a great cover, I just didn't understand the relevance.

The author mentioned in a recent interview that the idea for the book came after their friend sent them an ad just like this, thinking Kris might consider it a writing retreat of sorts. The position didn't appeal but they took the idea and ran with it and I hope the friend passes on more ads in the future.

I originally wondered if the title of The Rite of Spring was a reference to the piece of music by Stravinsky, but in the same interview I referenced earlier, I learned there are going to be four books with themes of queerness, gender, science, nature and the supernatural; one for each season.

The ending of the book reaches an exciting climax (pun intended) although I was left with unanswered questions in the denouement about the supernatural element. The Rite of Spring by Kris Kneen is dark erotic Australian fiction and will appeal to literary readers open to self discovery, sex and the supernatural.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Postscript - Life, Love and Loss in Australian Letters

* Copy courtesy of National Library of Australia Publishing *

Intro

Postscript - Life, Love and Loss in Australian Letters contains a small collection of letters from the archives held by the National Library of Australia and is just a tiny sample of the millions of letters in their extensive collection.

A variety of letters have been chosen covering a breadth of topics and were given to contemporary writers who were asked to use them as an inspiration to respond. They each did so by writing their own letter to a recipient of their choice and these were then grouped together in chapters.

In a tribute to the book I've decided to write my review in the form of a letter.

Letter to NLA

Dear National Library of Australia,

I haven't visited any of your four sites, yet I greatly admire the important work you do to preserve Australia's culture and history. I've long been a lover of letters and snail mail since I wrote in to Dolly Magazine as a teenager asking for a pen pal. I enjoyed reading your latest publication Postscript - Life, Love and Loss in Australian Letters and wanted to share my thoughts.

My favourite letter in this collection was the one from 17 year old student John Ian Wing to the Chairman of the Games Committee in charge of the 1956 Melbourne Summer Olympics. In his letter, John praises the friendliness of Melbourne people and suggests a march during the closing ceremony that is completely different to the one that took place during the opening ceremony. He proposes the athletes march as one nation, walking freely and waving to the public. In that way, John observes that 'war, politics and nationality will be all forgotten' and the whole world could be made as one nation creating 'a great occasion for everybody and no one would forget it'.

The Chairman loved the idea and John's suggestion was immediately adopted, creating a new Olympic tradition that we continue to enjoy today. I especially loved John's endearing diagram of how it could work.

Shelley Ware is an author, media presenter, educator and Mum and she was paired with this letter, choosing to write a letter to her son. In it she draws on John's vision for unity in a divided time to her son's moral compass and search for truth beyond the headlines expressed in his artwork. This was a terrific pairing and I really enjoyed it.

Another stand out was the letter from Sir John Monash in 1906 to his 13 year old daughter, narrating almost every aspect of her upcoming journey by train and then boat from Spencer Street Station (now Southern Cross Station) to the property of Canally on the Murray River.

Today you might consider his approach evidence of overparenting, but it's clear he loves her dearly and I couldn't help smiling at his advice for when she boards the boat on the Murray River:

"On settling down on the boat, I should advise you to to go bed at once, because you will, no doubt, be very tired, and the scenery is not very interesting for the first few miles. So you had better go to bed comfortably before the boat starts and do not stop up yarning, but get to sleep and tell the Stewardess to wake you quite early - say 7 a.m. - so that you can enjoy the beautiful river scenery for an hour or two before reaching Windomal." Page 26

His letter runs for pages and it made me wonder how many times he'd taken that trip but I didn't see the relevance of the two letters that followed by the late Judith Wright. While detailing the birth of her child Meredith and her subsequent recovery in hospital, I wasn't entirely sure how that related to a parent separated from their child or preparing a child for a life changing journey. However the letter from Maggie Mackellar to her adult daughter certainly embraced the spirit of the letter from Monash in her well expressed anxiety around her daughter travelling far away and the memories of her childhood the absence created.

It must have been difficult for your staff to create a longlist of letters for this project from your extensive archives. Where to start? How long did it take? I've heard from reliable sources that your staff chose letters of interest based on the identity of the sender or the recipient, the story or the writing itself. Then a generous list of potential respondents was collated, drawn from those with an existing relationship to the library, visiting writers or those who might have an interesting angle on a response.

I was pleased to see one of my favourite Australian authors included, Kate Forsyth and enjoyed her response to Jane Austen's letter. I wonder, was she able to view the original in person or online? I bet she would have been thrilled to see it.

I had fun devising my own shortlist of modern authors I'd love to see in a letter writing project like this and the fact that Postscript comes in at <130 pages, surely means there was room for more? Perhaps some of the invitees were overwhelmed by the magnitude of the brief and suffered a touch of analysis paralysis. I did find myself wishing for contributions from more well known Australian authors, as you know, we certainly have a plethora of Australian talent in that regard. Or, I fancy you might be considering a second edition, although you'll have to come up with a better title than Post Postscript; I don't think that'll catch on.

Let me know if you want to see my shortlist of modern respondents, but in the meantime, congrats on an engaging collection.

Yours Affectionately,

Carpe Librum!

My Rating:

★ ★ ★ ★ ★

Review: The Woman in the Seal Skin by Lauren Keegan

* Copy courtesy of Simon & Schuster *

Orkney is made up of approximately 70 islands and is located off the north coast of Scotland. It's an isolated part of the world and with an average yearly temperature of 8 degrees celsius I can only imagine how inhospitable it must have been in the 17th century. The Woman in the Seal Skin by Lauren Keegan is set in Orkney in 1695 and is a dual narrative told by our main character Malie and her friend Henrye.

Malie's father is a fisherman and after her mother slipped into the sea and was never seen again, he raised Malie and her brothers alone. Brought up listening to tales of selkies, Malie has always been told her mother was a shape-shifting woman who shed her seal skin to seduce her father.

"Selkies slip from their seal skins and seduce lonely fishermen, but a Finnman takes the form of man and seduces lonely wives. Men, women and the sea, all at their mercy." Page 46

Living on the coast, Malie has an affinity with the sea and now that she's married and expecting her first child, she finds it difficult to resist the pull of the water. With little to no female agency in a male dominated family, Malie is also in an oppressive marriage with few real friends to confide in or lean on.

"My elder brothers circle us like a shiver of sharks." Page 295

The weather is harsh, the living conditions are rough and Malie's life feels stifled and unendurable at times. In fact the harsh environment and desperate conditions reminded me of The Mercies by Kiran Millwood Hargrave, set in Norway in 1617.

I read this atmospheric book while on a cruise and being on the ocean certainly enhanced my reading experience. Admittedly, the temperature was warm and humid and I wasn't suffering any of the deprivations Malie was facing on a daily basis, but the author was still able to make me feel cold, hungry and fearful just the same.

"While there was once only fear bubbling beneath my skin, there is something else rising to the surface. Something fierce and uncontrollable. Something wild. Something that simmered in my mother's body too. I believe it's rage." Page 150

The Woman in the Seal Skin by Australian author Lauren Keegan is an historical fiction novel set in Scotland about nature, folklore, motherhood, loss, resilience and domestic violence and will appeal to fans of Hannah Kent and Kiran Millwood Hargrave.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: A Far-Flung Life by M.L Stedman

* Copy courtesy of Penguin Random House *

A Far-Flung Life by M.L Stedman is going to be in My Top 5 Books of 2026 list, without a doubt. I finished it last month and I still have a long reading year ahead of me but this Australian historical fiction novel blew me away.

Stedman begins this family saga with the history of the MacBride family who took up country in Western Australia (WA) in the 1800s and established Meredith Downs; an outback sheep station. We join the current MacBride family in 1958 and the author provides an excellent overview of the brutal and unforgiving landscape, describing the fierce nature of the heat, the sun, the wind and the rain and their power to both nurture and destroy.

"Everything that can do you good can also do you harm here - that's just the way of it." Page 7*

The MacBrides have worked the land for generations and family is everything, so when an unexpected tragedy takes place - mentioned in the blurb - the trajectory of their lives takes a dramatic turn. A Far-Flung Life is a generational family saga about life, love, purpose and family that also carries more than its fair share of secrets, heartbreak and loss.

Somehow the beauty of the landscape, the ever present demands of Meredith Downs and the resilience of the characters prevent the narrative from becoming too bleak or dispiriting. By contrast, I felt hopeful, optimistic and energised by the steadfast and inspiring characters doing their best to move forward.

As a kid, my family lived in outback New South Wales for 2 years and we had friends who owned vast sheep stations so I read about the diaries and ledgers of Meredith Downs with great interest.

"There are the ledgers; the wool returns; the vermin records; the Field Book of Meteorological Observations for the Bureau of Meteorology in Melbourne; the cricket score books; and the little greasy shearing tally books stained with lanolin from pulling them in and out of a shirt pocket as you count the wool clip run by run, shed by shed, day by day." Page 49

Diaries are kept of every day events including sheep bought or sold, new motor vehicles, paddock rotations, staff changes and more to enable the station to provide information to the tax man, Lands Department or Undersecretary for Lands in the case of drought relief.

In addition to being character-driven, the novel seems to be a deep reflection on the inevitable passage of time and its impact on the landscape and the people who inhabit it.

"On any old outback property, you can see them, the skeletons of dreams. Houses long abandoned, windmills rusting, fence posts splintered, tank stands collapsed: every one of them was once a hopeful beginning." Page 64

The ready understanding that many generations have been before us and we will soon join them in history is something I love about Ken Follett's novels. He also writes about the passage of time and the evolution of families from generation to generation and it was brilliant to read such an accomplished Australian point of view of our colonial history.

"Every wreck, every ruin is the vestige of a dream, lasting long after the body of its dreamer has been received back into the earth with love or remorse or indifference." Page 64-65

A Far-Flung Life is being promoted by the publisher as 'the biggest Australian novel of the year' and I wholeheartedly agree. I was moved by the characters and their individual plight, and felt a genuine connection to Meredith Downs despite being a proud city dweller and reading this at sea while on a cruise.

In 2012, I read and reviewed The Light Between Oceans by M.L. Stedman and gave it a glowing 5 star review. In an interview with Good Reading recently, I was impressed to read about the detailed level of research Stedman has been conducting since then in order to write A Far-Flung Life and it's definitely been worth the wait. Stedman now has two stellar Australian novels under her belt and I'm sure this is going to be another huge bestseller.

Highly recommended and you can read an EXTRACT here.

* I read an ARC so the page numbers quoted may vary in the final copy.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: The Mushroom Tapes by Helen Garner, Chloe Hooper and Sarah Krasnostein

The Mushroom Tapes - Conversations on a Triple Murder Trial by Helen Garner, Chloe Hooper and Sarah Krasnostein is about the trial of Erin Patterson, accused of three counts of murder and one count of attempted murder. Charged with serving her family members a lethal lunch of beef Wellington in Leongatha in July 2023, the trial took place in Morwell in April - July 2025 where she was eventually found guilty.

I followed the news coverage of Erin Patterson’s trial quite closely and listened to every episode of the Mushroom Case Daily podcast on the ABC. For these reasons and more, I was deeply interested in the collaboration between these three Australian writers having read books by all of them.* Familiar with Helen Garner's penetrating coverage of murder trials I was also fascinated to know the types of conversations these women had on a topic I never seem to tire of.

The Mushroom Tapes is a slim offering at only 240 pages so immediately you know you're not going to get a comprehensive coverage of the trial. What surprised me on the very first page though was that the authors weren't in attendance at the beginning of the trial. They'd been asked if they were going to cover the trial and they each said no. All three authors equally hadn't wanted to write about the case and hadn't not wanted to write about it. 

However after they heard the evidence from Simon Patterson's Aunt Heather Wilkinson that the guests ate from grey plates and the host ate from an orange one, they changed their minds and were galvanised into action. Helen Garner said that she didn't want to follow another big trial by herself and was glad to be asked to work with Chloe; accomplished herself with two trials and two books to her name. On day five they decided to cover the trial together and piled into the car to Morwell.

In the early stages, the women weren't sure whether they were collaborating to write a book or produce a podcast so they recorded their conversations with a view to deciding later and it shows.

Sharing the duties of sitting in the courtroom and listening to the live testimony in Melbourne via media audio-link, the reader is given snippets of conversations taking place in the car to and from court or over the phone. Often reading like a script, the effect made me feel as though I was in the car with them but without hearing their full experience.

These conversations ranged from how they felt standing outside Erin Patterson's house to the Defence Lawyer's potential advice to the defendant regarding a guilty plea; noting that if her lawyers know Patterson is guilty they can't make arguments inconsistent with that as they have a duty to the court.

"Most charges end up resolving in a guilty plea. But the personality that commits a crime like this is the same personality that believes they can get away with it." Sarah, Page 77

Every intellectual discussion the authors had about the case was of interest, including the conversation about whether the defendant might have a personality disorder and whether she was envious of the love shown to her children by their father and grandparents.

Shockingly, Helen has learned from attending family murder trials that just because you love someone doesn't mean you don't ever want to kill them; a statement which caused me to stop and ponder. It seemed to me the authors believed Patterson was guilty as they considered the difference between remorse and regret:

"Helen: Raimond Gaita says that remorse is a pained, bewildered realisation of what it means to have wronged someone. Sarah: Regret is self-interested. Remorse is a deeper thing." Page 134

Analysing Patterson's conduct in the witness box, they note that she's been unable to maintain a job, study or relationship for any sustained period of time despite having every resource, intellectual and financial at her disposal. They comment on her ability to unsettle them and notice that there's 'some force sheeting off her.' While they do discuss her persona and her false self, I was surprised they never talked about the family estrangements with her sister and her parents, and if they did, I'd love for it to have been included in the book.

I wasn't surprised to read that Patterson disagreed with every single witness but fascinated to hear that she talked back to the Prosecutor Nanette Rogers SC when being questioned on the witness stand with semantic critiques like these:

"Sorry, I was confused by the double negatives," and "You're going to have to rephrase that, so I know what you're talking about." Pages 200-201

I can't even imagine delivering that amount of snark or attitude in a Police interview room, let alone if I was in the witness box on trial for murder.

The authors often reflect on the huge scale of the media following this trial, their feelings on their own involvement and the incredible global interest in this case:

"Two hundred and fifty-two journalists and outlets are on the court media's daily email list, including representatives from fifteen international media outlets. There are seven podcasters, seven documentary crews, one television drama series and nine authors, including us." Page 140

Growing up in Gippsland, it's hard to fathom the sheer level of interest this case has generated and the authors often try to determine what it is about the murders and murderer that has captured this level of attention.

When acknowledging the closing arguments for the Defence by Colin Mandy SC, I was reminded of his address to the jury:

"If you think that it's possible that Erin deliberately poisoned the meal, you must find her not guilty... If you think that maybe Erin deliberately poisoned the meal you must find her not guilty. If you think that she probably deliberately poisoned the meal, you must find her not guilty." Page 209

Recalling this coverage brings a chill down my spine as I feared the jury would find Patterson not guilty after hearing it. When discussing her guilt or innocence, Helen acknowledges this as one of the most brilliant performances she's ever seen in her life while Sarah agrees Patterson is a liar but that liars can still be not guilty of murder.

Discussing what they would do in the event of a hung jury, Helen was clear that she wouldn't want to do anything with the tapes and would walk away from the project. Sarah mentioned she would be incapable of not attending a potential retrial while Helen would feel glad to escape one and doesn't want to write something that's going to attract the defendant's animus or attention.

Late in the book during the jury deliberations, they acknowledge that the podcast they'd started making has fallen over and that sometimes it feels as though the book they're still loosely imagining might do the same. This indicates to me that there was no clear plan at the outset and that one failed to emerge during the trial. And what's with the book cover? I was fortunate to purchase a copy signed by each of the authors but I thought it was the advanced reader's copy when I first saw it in the publisher's catalogue.

But most disappointing of all was the fact that there was no discussion or reflection on the verdict or the sentencing at all! The reader is privy to the verdict and the sentencing by Justice Beale, but then that's it. Without their thoughts on the verdict and the all important sentencing, The Mushroom Tapes feels unfinished. And perhaps it is.

True crime enthusiasts looking for a thorough or comprehensive summary of the trial will need to look elsewhere, perhaps to one of the seven podcasters, seven documentary crews or nine authors also covering the case. I had enough interest in this collaboration and Helen Garner's perspectives to keep reading but I was ultimately disappointed and wanted so much more from The Mushroom Tapes. I'd even be keen to listen to the raw footage!

My Rating:

★ ★ ★ ★ ★

*Books I've read by the authors:

Helen Garner
Everywhere I Look
Joe Cinque's Consolation

Chloe Hooper
The Arsonist - A Mind On Fire

Sarah Krasnostein
The Trauma Cleaner

Review: By Her Hand by Marion Taffe

Set in Mercia in 910AD, young Freda is inspired by stories, loves to forage in the woods and dreams of being able to write. Living with her sister and overbearing father, Freda's life is upended when her village is attacked by Danish raiders. Injured and lucky to survive, Freda is placed in the women's abbey Saint Ositha's by the newly appointed bishop. Bishop Ælle promises to teach Freda to write while capitalising on her miraculous survival in a bid to attract pilgrims to the abbey.

As she settles into her new life at the abbey, Freda struggles with her faith, continues to mourn her sister and is consumed by rage at the Vikings. Later in the book Freda's rage is stoked anew:

"I thought of Saint Paul urging us not to allow the sun to set on our anger. I smiled. This sun was not setting. This sun was rising on my anger, illuminating my rage in gold." Page 264-265

Freda is a feisty character and Marion Taffe expertly brings this period in English history alive, skillfully helping the reader make sense of the complicated politics of 10th century Wessex. A coming of age story, Freda must find her place in the abbey and eventually develops a connection with Æthelflæd, Lady of the Mercians. Freda is inspired by Æthelflæd's courage and steadfast leadership and their shared bond over grief.

"Death's twin sister is Grief. She waits at the door while Death takes the soul, then Grief enters the living. The first time you meet, she ties a chain around your heart and fastens it with hooks, and the hooks dig deeper with the effort of each beat. Grief is with you always. She is the long cold night. The eternal uhtcearu." Page 205*

*Uhtcearu (oot-key-are-oo) is an Anglo-Saxon word that translates to mean pre-dawn anxiety or nighttime sorrow.

I adored Taffe's writing in By Her Hand and I agree with the publisher that it will appeal to fans of Hamnet by Maggie O'Farrell, Year of Wonders by Geraldine Brooks and The Anchoress by Robyn Cadwallader. I also think it'll appeal to readers who enjoyed The Good Wife of Bath by Karen Brooks, Rapture by Emily Maguire and Book of Colours by Robyn Cadwallader.

I was fortunate to purchase a signed edition of By Her Hand at Readings during a visit with a friend and the irony that it's signed by the hand of the author isn't lost on me. And can we take a moment to admire the stunning cover design? This has to be one of my favourite covers for 2025 and having recently enjoyed Raising Hare by Chloe Dalton, I took great pleasure seeing the hare on the cover and the meaning it has for the protagonist.

The importance of stories is a key thread in this historical fiction novel, and in a meta fashion, the author acknowledges the power of story in a conversation between Bishop Ælle and Freda:

"Have I not taught you that stories are spears in the right hands? Even a lie can be shaped, tamed, turned into an elegy to make a man yield. A poem can forge a kingdom. A riddle can crush a mind." Page 290

I always read the Acknowledgements section of a book but can't remember the last time I commented on one in a review but I have three observations worth noting from this one. I really enjoyed learning that the author tried to build Saint Ositha's in Minecraft with her children and I'd love to see it. Secondly, it was cool to hear the author made hearth cakes - frequently referenced in the book - with her children for research during lockdown. I'm imagining they would taste like damper but I'd love to try them. Thirdly, and I rarely see this, but Marion Taffe thanks the authors who provided generous and thoughtful endorsements for this book. It may seem obvious but often this is never publicly 'acknowledged' by authors in this way and her gratitude impressed me.

Australian author Marion Taffe has burst onto the scene with this debut and I thoroughly recommend By Her Hand to fans of historical fiction set during the early medieval period, even if this is your first time venturing that far back in history. You're definitely in safe hands but if you're not sure, you can read the first few chapters in a free sample from the publisher.

My Rating:

★ ★ ★ ★ ★

Review: 488 Rules for Life by Kitty Flanagan

Kitty Flanagan is an Australian comedian and I've enjoyed watching her in the ABC comedy drama Fisk where she plays the lead role of a lawyer at a small suburban law firm.

In her book 488 Rules for Life - The Thankless Art of Being Correct, the author lists rules for life, that if followed, would make all of our lives easier. You'll nod in agreement as you read some of these relatable rules - don't answer your phone in the toilet - and you'll cringe in recognition as you recall those who regularly break these rules in your own circle.

I listened to this audiobook in the car over the course of 2 months, listening for 15 minutes at a time and it was a great short form of entertainment for a long road trip. Coming in at under 6 hours in duration, it's best enjoyed in shorter grabs so that the novelty doesn't wear off.

The genesis of the book was a segment on The Weekly, a TV show on the ABC and the author has grouped the rules into themes / chapters such as:

• Around the home
• At the office
• Food
• Relationships & Dating
• At the Movies

As I'm typing this, I'm hearing the author's distinct voice in my head along with her no-nonsense attitude and I could easily relate to - and agree with - most of her rules. Here's one chosen at random:

"Rule 76: 'Feed' is not a noun and should never be used as such, as in: "hey do you want to go for a feed?" No, no I don't." Chapter 4: Language

Published in 2019, I'm a little late to the party, but 488 Rules for Life - The Thankless Art of Being Correct by Kitty Flanagan is an amusing and lightly entertaining look at social etiquette and life's little irritations.

My Rating:

★ ★ ★ ★ ★

Review: The Woman in the Mirror by Rebecca James

Rebecca James is an Australian author and in 2011 and 2013 I enjoyed Beautiful Malice and Sweet Damage respectively. They were both YA novels set in Australia and in this offering she takes us across the seas to England.

Published in 2018, The Woman in the Mirror by Rebecca James is an historical fiction novel with dual timelines centred around the ominous property of Winterbourne Hall.

In 1947, Alice takes on the role of governess to twins living at Winterbourne Hall, a property situated on the cliffs of Cornwall overlooking the sea.

In present day New York, adopted art gallery curator Rachel knows nothing about her birth parents and is shocked when she learns she's the heir of Winterbourne Hall after the death of her Aunt Constance.

I love books where a building is its own character and we definitely have this in spades here. Winterbourne sits high on the clifftops and dominates the skyline of small town Polcreath, with a dark wood on the other side. One of the characters is filled with wonder when they see Winterbourne for the first time.

"It's hard to imagine a more dramatic facade. The place instantly brings to mind an imposing religious house - a Parisian cathedral, perhaps, decorated with gaping arches and delicate spires. Turrets thrust skyward, and to the east the blunt teeth of a battlement crown remind me of a game of chess. Plunging gargoyles are laced around its many necks, long and thin, jutting, as if leaping from the building's skin. Lancet windows, too many to count, adorn the exterior, and set on the western front is what appears to be a chapel." Page 15

I think it'd be awesome to see this gothic tale adapted for the big screen, even if it's just to see Winterbourne Hall. If you've been following my reviews for a while, you'll know I also love a book with twins and in this case the twins are manipulative and up to no good; perfect for a struggling governess with secrets of her own.

The romantic elements in both timelines were necessary and well-balanced, but it's fair to say they were the parts I connected with the least. Every time we were in a romance thread I found myself wishing we were back with the haunted mirror, the creepy oil painting and the duplicitous twins.

Elements of Alice's fascination with the late mistress of Winterbourne reminded me a lot of Rebecca by Daphne du Maurier and I wonder if Rebecca is one of the author's favourite books.

The Woman in the Mirror by Rebecca James is a dark gothic mystery about secrets, inheritance, haunting and a curse and is perfect to read at this time of year.

My Rating:

★ ★ ★ ★ ★