12 September 2024

Review: Word Freak by Stefan Fatsis

Word Freak - Heartbreak, Triumph, Genius, and Obsession in the World of Competitive Scrabble Players by Stefan Fatsis book cover

I love playing Scrabble! It's a popular word game of skill and chance and journalist Stefan Fatsis entered the competitive world of Scrabble hoping for some material worthy of publishing.

What he discovered was an intense sub culture with its own rules and guiding principles and a range of dedicated, intelligent and sometimes eccentric players all striving to win. Word Freak - Heartbreak, Triumph, Genius, and Obsession in the World of Competitive Scrabble Players by Stefan Fatsis is the result of his research and complete immersion in the Scrabble scene.

First, it's important to know Scrabble can be played on a competitive level and the book largely takes place in the USA.
"To play competitive Scrabble, one has to get over the conceit of refusing to acknowledge certain words as real and accept that the game requires learning words that may not have any outside utility." Page 40
This is why competitive Scrabble doesn't appeal to me as a player. The author explains that vocabulary defines the better player in a living room situation, but in a competitive environment it's about mastering the rules of the game and memorising words. Two letter words are 'twos', three letter words 'threes' and so forth. Players keep track of tiles the way a card shark counts cards and there are endless strategies for discarding tiles, playing offensive and defensive and more.

Fatsis explains that players who compete at tournaments receive ranking points based on a very complicated system of wins and margins and are paired within divisions according to their latest ranking. A competitor will play multiple games at each tournament and Fatsis tells us just how hierarchical these tournaments are:
"In the playing room, you can't just sit wherever you fancy. The top-division tables typically are farthest from the main doors. And Table 1 of Division 1 - where the players with the best records meet in the latter stages of most tournaments - is usually in the farthest corner. The quality of play descends to the weakest novices in the room's opposite corner. And there isn't much interdivisional mingling. Experts have no interest in novice boards, and novices, who could benefit from learning new words or watching experts analyze positions, appear afraid to cross class boundaries." Page 37
In this way, the author quickly establishes the basics of competitive Scrabble and is glad to be warmly welcomed into the fold so to speak. Players knows he's a journalist from The Wall Street Journal and readily answer his questions while encouraging him to improve his game.

Many of the top players enjoy anagramming with each other in a playfully competitive nature and intellect is celebrated. Anagramming involves arranging tiles alphabetically on a rack - or saying them aloud - and identifying words made from the letters. This helps the players refine their skills and see the potential in the rack, and the majority of highly ranked players have created or implemented some kind of study program to learn and remember words.

There's quite a lot of content around the accepted dictionary of words, how it began and how it's updated etc.
"The Scrabble world decided that The Official Scrabble Players Dictionary [OSPD], first published in 1978, would for the purposes of the game, answer the question: What is a word?" Pages 40-41
But just to complicate things, there are two separate word sources that govern the game of Scrabble in North America and Great Britain.
"The new book is called the Official Tournament and Club Word List, and is known as the OWL." Page 41
I'd elaborate further but it gets quite confusing, suffice to say that Americans are at a significant disadvantage when playing overseas. Some embrace the additional words available to them, whilst others - predictably - refuse to change; essentially creating two camps. The deletion of offensive words caused a ruckus in the Scrabble community and several players who did a lot of work contributing to dictionary entries and study programs have been screwed over and distanced themselves from competitive play as a result.

There was even drama at the top level, with the dissolution of the National Scrabble Association (NSA) and the formation of the North American Scrabble Players Association (NASPA) in its place. Some players had various issues with the way NASPA was organising things and while many readers may find this overkill or boring, my interest - just - carried me through. It seems politics and drama exists everywhere.

It's unclear when exactly Fatsis becomes subsumed by Scrabble, but he quickly fixates on his rating, loses his temper when he doesn't play well and embarks on a range of study techniques, implementing tips from top players along the way.

Here's an example of some advice from Joe Edley that we can all learn from:
"Studying Scrabble words is like walking around the world, but as you start walking your feet start getting bigger. Every step you take is taking you farther. The more you study, the more ability you develop and the easier it becomes to learn more." Page 133
I'd say reading is the same! This is excellent advice and it can be applied to more than just Scrabble. Witnessing the author's improvement and progression through the rankings as he dedicated more and more time to it was satisfying. Often frustrating for the author himself, it was hard not to become invested in the nitty gritty details of specific plays gone wrong, missed opportunities, excellent plays and hard won victories.

Towards the end of the book, the author acknowledges that he's played more than a thousand games of Scrabble since embarking on his journey to write about the sub culture and it's taken him to unexpected places. I was surprised at the depth of relationships he developed over the course of the book, always rooming and carpooling with fellow players, regularly socialising outside of competitions and playing endless games in between.

Openly sharing their advice, strategies and study techniques, Fatsis also shared personal observations of their character, personality and lifestyle choices giving the reader quite an intimate view of some of the players. I often wondered whether he'd crossed the line and later learned in the Afterword that at least one player was unhappy about the way in which he was portrayed in the book.

Originally published in 2001, my new copy has an updated Preface and - cleverly titled - Afterwordfreak published in 2011. I particularly enjoyed reading updates on players who featured quite prominently in the book, and in a very meta way, the impact Word Freak had on new and upcoming players in the ten years it's been on shelves. The increase in technology and the emergence of new players who grew up playing bots online and using apps to improve their skills have now entered the fray. You'd assume the old-school players would feel threatened by them, but they seem to enjoy seeing new talent emerging and celebrate the successes of players decades younger than themselves.

While reading Word Freak I started playing the odd game of Scrabble online - against the computer - and found myself enjoying the game immensely and implementing many of the techniques outlined in this book. Word Freak by Stefan Fatsis was a terrific deep dive into the competitive world of Scrabble and I hope to watch the subsequent documentary Word Wars.

For more: 
- Read a FREE excerpt
- Check out my review of It's All A Game - A Short History of Board Games by Tristan Donovan

My Rating:


06 September 2024

Review: Abominations by Lionel Shriver

Abominations - Selected Essays from a Career of Courting Self-Destruction by Lionel Shriver audiobook cover

Lionel Shriver is a somewhat controversial author here in Australia, although I found myself agreeing with most of her opinions in Abominations - Selected Essays from a Career of Courting Self-Destruction by Lionel Shriver.

Some readers might remember when Shriver made Australian headlines after giving the keynote speech at the 2016 Brisbane Writer's Festival. Her speech was about cultural appropriation and in Abominations we hear the speech in full, together with the subsequent fall out, attempt at cancellation and finally her response to it all.

For the record, I agree with her. Political correctness and the woke brigade have definitely gone too far if wearing a sombrero at a party is considered cultural appropriation and therefore offensive. If authors can only write from their own lived experience in order to avoid being accused of cultural appropriation, then their work will be dull and limited. I want authors to have the creative freedom to write about a priest living in the time of the black plague or a courtier dancing in the court of Elizabeth I and this automatically extends to creating characters with different nationalities and ethnicities; ages; sexual preferences and identities; socioeconomic backgrounds; levels of education; backgrounds and personalities than themselves. (For more, I shared my thoughts on 'own voices' in my review of Honeybee by Craig Silvey in 2020).

Shriver is open about the many attempts that have been made to cancel her and while she admirably shrugs them off, she does highlight the impact a 'successful' cancellation has on authors, publishers, actors and other creatives and the often devastating and unintended consequences that follow. Shriver gives examples of well known celebrity cancellations and I agreed with most of her opinions on the topic.

Abominations contains more than 40 essays of varying length and covers a broad range of topics, including: tennis, politics (Brexit and the troubles), IKEA furniture, economics (wages and taxes), health care, ageing parents and the pro-death movement. I found her essay on the nature of friendship break-ups particularly interesting.

In her instantly relatable essay entitled Quote Unquote published in the The Wall Street Journal in 2008, Shriver breaks down her pet peeve of quoteless dialogue:
"While the use of quotes to distinguish speech is still standard in English language fiction, undemarcated dialogue has steadily achieved the status of an established style. In fact, this is one of those stealthy trends that no-one confronts directly." Chapter 33
Shriver explains that it's harder to read fiction without punctuation marks for dialogue and making the reader work harder isn't in the author's best interests. She goes on to address each of the arguments in favour of undemarcated dialogue - love that phrase! - including improved aesthetics on the page and a perceived edginess. Shriver asks editors, agents, critics and established authors for their opinion and discovered the majority found dialogue without speech marks annoying. I was nodding the entire time and occasionally thinking to myself, YES! 

Listening to the author read her essays added to the overall experience and I'm giving Abominations by Lionel Shriver an extra star just for the sheer quality of the writing, vocabulary and turn of phrase. Whether you agree with her views or not, there's no arguing she's one hell of a writer!

My Rating: